IN Conversation with… (4)

Images from event (4), “Where YOU Sit”. More in the IN Conversation page.

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IN CON4 C

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IN Conversation with…(4)

 

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IN Conversation with(4)…

IN Conversation with(4)…Neil Ferguson, John Freeman, Hugh Gilmour,Irene Godfrey & Qing Qi.

“From Where YOU Sit”… An Exhibition of 5 paintings.

Image Event 4

Saturday 16 April 2016, 4-8 pm

Sunday 17 April  2.30 – 5.30

Discussion: Sunday 17 April, 2.30-3.30

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IN CONVERSATION is located at the rear of 104 Adelaide Avenue, accessible from Ivy Road, London, SE4 1YR

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The forthcoming IN Conversation with (4)… event places importance on the artists placing a chair exactly where they think their painting is best be viewed from.

This placing will be influenced by factors such as height and size of chairs, scale of paintings, placement on wall and the positioning of other works and chairs, but for this event, where THEY think the work is best viewed.

Regularly, art audiences shuffle through exhibitions like captives  made to follow chronological pathways of discovery through roping electric buzzers and cordoned off areas.  But these experiences of painting are influenced by crowd control and insurance claim considerations.

Seldom is this spectator allowed time or facility to sit down and consider the best form of reception of the efforts in front of them. How do we think we are supposed to look at painting? Can all painting be looked at the same way? Clearly there is room for opinion and debate.

However, it is also arguable that in offering an audience a total freedom allows any greater clarity in working out what they are supposed to notice.

On a practical level, simple seating is seldom available as it is probably seen as being intrusive. It is never available in front of an “important“, painting.

This event offers the spectators a rather unique invitation from the artists involved, “to sit where they think the painting is best looked at from”. This will inevitably be challenged by the participating spectators but at the very least it offers a direct contact with the painter’s thinking on the viewing of their work.

Discussion

Need a painter consider or influence how their work will be looked at? If so, how, if not, why not?

What does knowing a painter’s opinion on the viewing of their work offer?

Neil Ferguson In Conversation with (2)…Matthew Vincent-Townend.

Neil Ferguson In Conversation with (2)…Matthew Vincent-Townend

Viewing:

Saturday November 21st 2015 4.00pm to 8.00pm.

Sunday November 22nd 2015 2.30pm to 5.30pm

Discussion: Sunday November 22nd, 2.30pm to 3.30pm

Nothing escapes time…nature is continuous and never empty…the natural order of the elements invades and re-inhabits.

A common interest shared that both the collaborative film project, “Circulating Air” and the event highlight are unspecified “Ballardian” environments as potential jump off” points to something further.

The discussion will consider the use of landscape in inducing meaning.

What can be shared in play and reaction to the disused and avoided architecture of existence?

..maybe we best just ignore these places?

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IN Conversation with… is accessed from Ivy Road, Brockley at the rear of 104 Adelaide Avenue, Brockley, London, SE4 1YR. Contact: 07951935318

Nearest Rail: Ladywell, Brockley, Crofton Park. ( Each approx. 15 minutes walk.) Overground: Brockley.